Key Art Works and Texts
Key Art Works
Belmore, Rebecca. Ayum-Ee-Aawach Oomama-Mowan: Speaking to Their Mother.
Performed in 1996, 1992, and 1991. Sound installation; wood, megaphone, variable. https://www.rebeccabelmore.com/exhibit/Speaking-to-Their-Mother.html.
Hall, Fiona. Tender. 2003. US dollars, wire and vitrines, variable. Queensland Art Gallery, Gallery of Modern Art.
Lacy, Suzanne, and Leslie Labowitz. In Mourning and In Rage. 1977. Filmed performance, variable. https://www.againstviolence.art/in-mourning-and-in-rage. Lozano-Hemmer, Rafael. Voz Alta. 2008. Sound installation; megaphone, 15,000w anti-aircraft lights, computer, custom software, variable. Bitform Galleries NYC. https://vimeo.com/26648281.
Ono, Yoko. Cut Piece. 1965. Filmed performance, 8 minutes 8 seconds. https://www.youtube.com/watch?v=lYJ3dPwa2tI.
Normoyle, Kusum. Solid (Loud) Matter / 2018. 2018. Filmed performance, 17 minutes 45 seconds. TarraWarra Biennial 2018 - Will to Form: Activated. https://kusumnormoyle.net/Solid-Loud-Matter-2018.
Simon, Taryn. An Occupation of Loss. 2016. Performance, variable. http://tarynsimon.com/works/occupation_of_loss/#1.
Simon, Taryn. An Occupation of Loss: Laments from Quarantine. 2020. Collection of filmed performances, variable. https://www.newyorker.com/culture/video-dept/professional-mourners-laments-from-quarantine.
Sophia, Ida. Regret. 2021. Performance, 28 days. Floating Goose Studios. http://www.floatinggoose.com.au/regret/.
Wilding, Faith. Waiting. 1974. Filmed performance, 3 minutes 42 seconds. https://vimeo.com/388693458.
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Artangel. An Occupation of Loss: Laments From Quarantine, Nikos Menoudakis and Vangelis Kotsos, 2020. https://vimeo.com/425083523.
———. Documentation of An Occupation of Loss in London 2018, 2020. https://www.youtube.com/watch?v=kbmNdqwVSNg.
Aston, Elaine, and Geraldine Harris. Feminist Futures?: Theatre, Performance, Theory. Houndmills [England]; New York: Palgrave Macmillan, 2006. http://public.eblib.com/choice/publicfullrecord.aspx?p=285585.
Australia Council for the Arts. Angelica Mesiti Shares Insights on ASSEMBLY, 2019, 2019. https://www.youtube.com/watch?v=sm8FevsC7NU&ab_channel=AustraliaCouncilfortheArts.
Badovinac, Zdenka. “Editorial: ‘The Collective Body.’” Translated by Rawley Grau. e-Flux Journal June 2021, no. 119 (June 2021). https://www.e-flux.com/journal/119/403341/editorial-the-collective-body/.
Barnard Center for Research on Women. Anna Lowenhaupt Tsing - A Feminist Approach to the Anthropocene: Earth Stalked by Man, 2015. https://www.youtube.com/watch?v=ps8J6a7g_BA.
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Guy, Georgina. “Art Museums and Audibility: Invisible Action and Acoustic Reporting in Lawrence Abu Hamdan’s Earwitness Theatre (2018).” Performance Research 24, no. 7 (October 3, 2019): 110–16. https://doi.org/10.1080/13528165.2019.1717875.
Hall, Fiona. Fiona Hall: Wrong Way Time. Edited by Linda Michael. Surry Hills, NSW 2010: Australia Council for the Arts, 2015.
Haraway, Donna J., and Cary Wolfe. Manifestly Haraway. University of Minnesota Press, 2016. https://doi.org/10.5749/minnesota/9780816650477.001.0001.
Haraway, Donna Jeanne. Staying with the Trouble: Making Kin in the Chthulucene. Experimental Futures: Technological Lives, Scientific Arts, Anthropological Voices. Durham: Duke University Press, 2016.
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———. “Performing the Wounded Body: Pain, Affect and the Radical Relationality of Meaning.” Parallax 15, no. 4 (November 2009): 45–67. https://doi.org/10.1080/13534640903208891.
Jones, Jonathan. “Audio Fail: Why Is so Much Sound Art so Bad?” The Guardian, 2016, August 5, 2016, 4.
Kahn, Douglas. Noise, Water, Meat: A History of Sound in the Arts. 1st MIT Press paperback. Cambridge, Massachusetts London, England: The MIT Press, 2001.
Kunsthaus Bregenz. Talks on Music and the Arts: Talk, Lawrence Abu Hamdan – 13 | 12 | 2018, 2019. https://www.youtube.com/watch?v=sxHwedL72tM&ab_channel=KunsthausBregenz
Kusum Normoyle: Artist and Musician. Lecture. FastBREAK I AM WOMAN March 2014. Sydney, 2014. https://www.youtube.com/watch?v=UxPg0xwk1ds&ab_channel=VibewireVibewire.
Lacy, Suzanne, and Leslie Labowitz. In Mourning and In Rage. 1977. Filmed performance, documentation 8 minutes and 5 seconds. https://www.againstviolence.art/in-mourning-and-in-rage.
Laing, Olivia. Everybody: A Book about Freedom. First American edition. New York: W. W. Norton & Company, 2021.
Lander, Dan, and Micah Lexier, eds. Sound by Artists. Toronto, Ont., Canada : Banff, Alta. Canada: Art Metropole ; Walter Phillips Gallery, 1990.
Leader, Darian. The New Black: Mourning, Melancholia and Depression. London: Penguin Books, 2009. https://www.overdrive.com/search?q=67579E8B-2BB7-4106-A9E4-8ACDD07C7744.
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Lileks, James. “The Hidden History behind Nipper, One of the Most Famous Dogs in the World.” Star Tribune, February 22, 2019, Online edition. https://www.startribune.com/the-hidden-history-behind-nipper-one-of-the-most-famous-dogs-in-the-world/506221042/.
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London, Barbara, and Anne Hilde Neset. Soundings: A Contemporary Score. New York, New York: Museum of Modern Art, 2013.
Mahindra Humanities Center. 24-HOUR ACCESS: The Rocks | Laurie Anderson’s Third Norton Lecture, 101AD. https://www.youtube.com/watch?v=z0j03lhh4cg&ab_channel=MahindraHumanitiesCenter.
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McIvor, David W. “Bringing Ourselves to Grief: Judith Butler and the Politics of Mourning.” Political Theory 40, no. 4 (2012): 409–36. https://www.jstor.org/stable/41703076.
Meaney, Janet Anne. “Self-Representation as Performance Art in Women’s Art Practice : Maya Deren’s at Land : A Singlular Performance of Self,” 2011. https://doi.org/10.25911/5c6e71b3eb5a7.
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Mulvin, Dylan. Proxies: The Cultural Work of Standing In. Infrastructures Series. Cambridge, Massachusetts: The MIT Press, 2021.
Museum Presents Major Exhibition of Art to Wear. “Museum Presents Major Exhibition of Art to Wear.” Accessed May 19, 2021. https://press.philamuseum.org/off-the-wall-american-art-to-wear/.
Andertons Music Co. “MXR Talk Box Guitar Effects Pedal.” Accessed June 10, 2021. https://www.andertons.co.uk/guitar-dept/guitar-pedals/talk-box-pedals/mxr-talk-box-guitar-effects-pedal.
National Gallery of Victoria. Materials Matter. Video. NGV Triennial Artist & Designer Access. Melbourne, 2017. https://www.facebook.com/NGVMelbourne/videos/10155833454811163.
Pajaczkowska, Claire. “On Stuff and Nonsense: The Complexity of Cloth.” TEXTILE 3, no. 3 (September 2005): 220–49. https://doi.org/10.2752/147597505778052495.
Parker, James E. K, Joel Stern, City Gallery Wellington, University of Melbourne, Law School, Liquid Architecture Sound Inc, and Vic.) Public Office (Melbourne. Eavesdropping: A Reader, 2019..
Phelan, Peggy. Unmarked: The Politics of Performance. London, UNITED KINGDOM: Taylor & Francis Group, 1993. http://ebookcentral.proquest.com/lib/anu/detail.action?docID=179272.
Powell, Margaret. “From Feed Sack to Clothes Rack: The Use of Commodity Textile Bags in American Households from 1890 – 1960.” Textiles and Politics: Textile Society of America 13th Biennial Symposium Proceedings, Textile Society of America, no. 732 (2012): 9.
Radomska, Marietta, Tara Mehrabi, and Nina Lykke. “Queer Death Studies: Death, Dying and Mourning from a Queerfeminist Perspective.” Australian Feminist Studies 35, no. 104 (April 2, 2020): 81–100. https://doi.org/10.1080/08164649.2020.1811952.
Rmandić, Dunja. “We Shall Assemble, Play, Dance and Transgress: Angelica Mesiti at the 58th Venice Biennale.” Art Monthly Australia, no. 316 (May 2019): 38. http://www.proquest.com/docview/2218826140/abstract/58F3DAF74642465FPQ/1.
Rosenblatt, Paul C., R. Patricia Walsh, and Douglas A. Jackson. Grief and Mourning in Cross-Cultural Perspective. New Haven, Conn: HRAF Press, 1976.
Schilling, Anne. “Peer Reviewed Article Bringing Lamentation to the Stage.” Voice and Speech Review 6, no. 1 (January 1, 2009): 125–35. https://doi.org/10.1080/23268263.2009.10761515.
Serpentine Podcast. “On Practice: Listening.” Serpentine Galleries. Accessed May 20, 2021. https://www.serpentinegalleries.org/art-and-ideas/on-practice-listening/.
———. “On Practice: Walking.” Serpentine Galleries. Accessed May 20, 2021. serpentinegalleries.org/art-and-ideas/on-practice-walking/.
Simon, Taryn. An Occupation of Loss. 2016. Performance, variable. http://tarynsimon.com/works/occupation_of_loss/#1.
———. An Occupation of Loss: Laments from Quarantine. 2020. Collection of filmed performances, variable. https://www.newyorker.com/culture/video-dept/professional-mourners-laments-from-quarantine.
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———. “Silence and Powerlessness Go Hand in Hand – Women’s Voices Must Be Heard.” The Guardian, March 8, 2017, sec. Opinion. http://www.theguardian.com/commentisfree/2017/mar/08/silence-powerlessness-womens-voices-rebecca-solnit.
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Spirits, Jens Korff, Creative. “Sorry Business: Mourning an Aboriginal Death.” Creative Spirits, June 21, 2021. https://www.creativespirits.info/aboriginalculture/people/mourning-an-aboriginal-death.
Steyerl, Hito. Duty Free Art. London ; New York: Verso, 2017.
Stidworthy, Imogen. Castrato (2012-16), 2016. https://vimeo.com/166694731.
Stoetzer, Bettina. “At the Forest Edges of the City: Nature, Race and National Belonging in Berlin.” Ph.D., University of California, Santa Cruz. Accessed October 15, 2021. https://www.proquest.com/docview/888562673/abstract/CE9FA06AC0BA4BF8PQ/
———. “RUDERAL ECOLOGIES: Rethinking Nature, Migration, and the Urban Landscape in Berlin.” Cultural Anthropology 33, no. 2 (2018): 295–323. https://doi.org/10.14506/ca33.2.09.
———. “Urban Vulnerabilities.” Social Anthropology 28, no. 2 (2020): 360–61. https://doi.org/10.1111/1469-8676.12822.
Stryker, Susan. Transgender History: The Roots of Today’s Revolution. Second edition. Berkeley: Seal Press, 2017.
“Studying Sound: Alexander Graham Bell (1847–1922)- Hear My Voice | Albert H. Small Documents Gallery | Smithsonian’s National Museum of American History.” Accessed April 25, 2021. https://americanhistory.si.edu/documentsgallery/exhibitions/hear-my-voice/3.html.
the Guardian. “Taryn Simon: An Occupation of Loss Review – Transfixing Cacophony from a Secret Underworld,” April 18, 2018. http://www.theguardian.com/artanddesign/2018/apr/18/taryn-simon-occupation-loss-review-islington-green-london-underground-mourners-grief.
“The Collective Body of the Pandemic: From Whole to (Not) All - Journal #119 June 2021 - e-Flux.” Accessed October 3, 2021. https://www.e-flux.com/journal/119/400150/the-collective-body-of-the-pandemic-from-whole-to-not-all/.
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Tompkins, Dave. How to Wreck a Nice Beach: The Vocoder from World War II to Hip-Hop: The Machine Speaks. Brooklyn, NY : Chicago: Melville House ; Stop Smiling, 2010.
Tsing, Anna. “Contaminated Diversity in ‘Slow Disturbance’: Potential Collaborators for a Liveable Earth.” Edited by Gary Martin, Diana Mincyte, and Ursula Münster. RCC Perspectives, Why Do We Value Diversity? Biocultural Diversity in a Global Context, 9 (2012): 95–97.
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Wilding, Faith. Waiting. 1974. Filmed performance, 3 minutes 42 seconds. https://vimeo.com/388693458.
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